Atten: Chris Curry
4732 Dominion rd.
Fayetteville NC 28306
First and foremost, Up until recently I thought I was just a normal guy who thinks outside the box for the most part. My father (God rest his soul) Always said, Chris looks at things different. If there is a glass on a table some people would say, “That glass is half full.” others would say, “That glass is half empty”.. “Chris will walk up and ask, What’s the hell is in the glass?”. Recently during treatment I was diagnosed with Asperger’s Syndrome, which is a high functioning form of Autism. It really opened my eyes as to who I was, and why I am the way I am. Now you can understand the rest of my story a little more clearly. I’m originally from Durham NC, When I graduated from Orange High School in 1990, I had a chance to go to art school and turned it down, because even though I was well above average in all facets of art, I did not enjoy it. I didn’t understand at the time it was a gift from God and that it should be used. I was voted “Best Senior artist” in a very large school, my senior year. I’ve always been able to do any type of medium from pencil, paint, airbrush to sculpting with clay.. I was always artistic in some way. I got it from my Mother’s side of the family. My mother was very artistic and good singer also, as well as other members on my Mother’s side of the family. So instead of Art school I went into the Navy at 18 and did 4 years with an honorable discharge. I apparently tested off the charts in mechanical ability on my ASVAB because it wasn’t long before all the branches were calling me to be a mechanic. I got that from My Father’s side. They could always fix anything or build anything, and so can I. I chose the Navy mostly because of the movie”Top Gun”. I wont lie about it! Also because My Father was in the Navy too. I joined in 1990. I was a Mechanic / Power Plant operator, until I got out in 1994, which has been the only regret I’ve ever had in my life. It was a love I have never forgotten. When I got out of the Navy, I went to work as mechanic on big trucks at Ryder Truck Company in Garner NC for about a year, before I was offered a job in start up of a cutting edge power plant. I moved to Fayetteville in 1995 to take that job. This job is where I found out I had a knack for inventing. On two projects I helped invent two low cost items to improve stability of the plant and save tons of money in the long run. After two years of working there, the plant lost funding, and was cut up and sent overseas, and Everyone from the plant manager down was walked to the gate. I worked other power plants for a short time after that and even though the money was outstanding the job was unstable due to regulations of the government on power plants. So I decided to go back to being a Mechanic, where I’ve always had a knack for troubleshooting. I went to work for Abbott laboratories as a robotic technician and once again found I had a knack for understanding how things work and how to make them better. I invented two items while at Abbott, that were patented by Abbot laboratories in robotics operations. I quickly advanced and became a name changer of the machines I was in charge of, So I thought. Until one week they brought in a group of 20 people that they wanted me to train on how to use the machines and work on them. Little did I know why at the time. They were all from Puerto Rico and very nice and learned super fast. Two months later, Abbott gave everyone notice that the plant was shutting down and going over seas.. Once again, I was laid off. I was offered a job to go overseas and turned it down basically because I love home too much to leave. Although I traveled the world in the Navy, and loved it, I could not see myself living nowhere else but in the USA. I quickly found a job being a mechanic once again at a paving company. Then 9/11 Happened! I decided Then, I would go back into the Navy to help my country one more time.. But My wife at the time was not having it! She did not want me to be gone for 6 and 7 months at a time. She then convinced me to do something in civil service, so I could still answer my call of duty. So I decided to become a Career fire fighter. In March of 2003 I was hired into The Fayetteville Fire Department, which I am very proud to be a member of still today. I only work 10 days a month for 24 hour shifts. I am a EMT/ Fire fighter, but being I have 20 days off a month on average, I decided to join a band as a lead singer in my spare time. It was then I found myself wanting a microphone that looked good but sounded great and just could not get what I wanted. I felt it was unfair that a bassist, drummer and guitarist could have any color instrument they wanted and any style but a singer could not. They just offered the same old, same old, dull and run of the mill microphone. They sounded good but had no style! I then did stumble across a Shure 55SHII which, I thought looked great, but when I got it home and starting gigging with it, I found it lacking quality in sound to say the least, especially being I was used to the sound quality of a SM58. I tried buying a few elements online that said they sounded like a SM58, but when I got them, they also sounded like crap! So I decided to build my own. I pulled apart my 55SHII and my SM58 to see all the insides and how they worked. That’s when I found that the 55SHII has the upper diaphragm of a Shure SM58 microphone but no step up transformer and no resonance chamber. No wonder they sounded like crap! 5 or so prototypes later I built a great sounding 55SHII but with the completed SM58 inside. I loved my first finished microphone so much, I thought others should also have one too, so I started selling them on Ebay. Little did I know in that moment Mutant Mics was born. So in early 2008 I sent my early design to Shure Inc applications division. They were nice enough to take a look at it and sent it back with the statement to this day boggles me. “Sorry, but we are not into building hybrids” as they called it way back then. They suggested I start building them and selling them myself. Which by that time, I had been doing already for 2 years mostly upgrade old vintage mics I would by online, and upgrade them.. Funny thing was while my mic was off in the mail to Shure, I started practicing with a Shure 58 beta stock microphone, and fell in love with the sound of it. I could not believe the difference in sound quality and how much better it sounded than the SM58 design, I built for my 55. I couldn’t wait for my 55 to come back home so I could modify it again! I started building my new design with the 58 beta installed in March of 2008 in my first black and red 55, called the Sith, named after Darth Maul in the Star Wars movies.. Now the fun begins 2009 Shure came out with a Super 55 with a 58 beta element very similar to my first design. Then in 2010 they released the Black and Red limited edition, which by now was my number one seller and had sold over 50 versions of it by then.. My first thought was What happened to “Sorry, but we are not into building Hybrids”? And next question was “Who works at Shure that is trolling my webpage? I guess I will never know, but If someone at Shure is trolling my webpage, I am sure that in the future they will release a new Fatboy version like mine, Then come out with a 55 with an 87 beta inside, like mine, next come out with screens you can change out in any color like mine, and last offer a custom microphones at request, like I offer! But I’m just a little man building one mic at a time, what do I know? They are a big corporation that can build thousands at a time, but apparently out of ideas. But I will not talk bad about Shure, I absolutely love their products, service, and sound quality. If it wasn’t for Shure Inc. I would have never got started in the first place, And if it wasn’t for them being a BIG corporation and not one on one, with a client, Like me, I would not be doing what I’m doing now. Now 3800+ mics later, with new and upgraded designs coming monthly, I still do all my builds myself, I do all my own web design, updating, one on one customer emailing, I do all my art designs, testing and labor myself. I do all my own repairs and and support also. I do all the paint jobs myself. And last, I do all my packaging and mailing ordering of parts and inventory. So I guess there is a “i” in TEAM after all.. Just look at the negative space inside the A! That’s right a dotted i. The only thing I do not do with these mics and I outsource, is Chrome plating and color chrome, and powder coating. So please understand when I say it may be a few weeks to a month before you get a mic you understand why.. Well that is the short of who I am, and how I got started doing this, and in my opinion its the long, So Thanks for reading. Sincerely, Chris.
(ANSWER) Well that all depends on what you get and what you need. I’ll first start with price for new mics and extras.
New 55 with 58 beta 235.00 (comes with free shipping in US, two year warranty discounted shipping of 10.00 out of the US, and free screen color of choice and free mic bag)
New 55 with 87 beta 425.00 (comes with free shipping in the US, two year warranty, discounted shipping out of the US and mic bag and free color choice on screen.)
Switch added 12.00 if yours is broken or you want on add.
Lights added 60.00
XLR added 25.00 (needed for vintage mics especially if lights are added)
Chrome added 200.00 (depending on the size of the mic, and type of chrome you choose. See my “what I can do page” for details on chrome)
Extra preformed screens 25.00 (35.00 for a fatboy)
Shipping free in the US, with the purchase of completed mic and 10.00 off shipping worldwide usually around 35.00 to 45.00 anywhere in the world after discount.
YES! I know that there are some people out there that just want a prop. But I do not normally sell them like that, But as I, say money talks and B.S. walks, so if you are willing to pay 120.00 plus shipping I can build you a new one that looks old but is new. Unless of course I have a vintage shell you rather have at the time.. You will have to ask on that and prices will vary. I also sell them in conjunction to a customer if they already had a 58 or inside element and wanted me to convert it and put it in one of my 55’s shell or other vintage mic for that matter.
Yes I do. Normally most of my sells are the newer 55Sh2 versions with your choice of element inside and screen color. These mic’s also come with free shipping in the US, and discounted shipping over seas. They also come with a free mic bag, and 2 year warranty. But on occasion I get a request for a genuine vintage 55 or other mics with the upgrade of the element and screen. These take longer to get because I would have to win one on Ebay and restore it, If I dont already have one in stock. Then send it off for chroming if needed. The price will vary on vintage mic’s due to the auction price to win one is never the same. But for a new 55SH2 with your choice of element the prices will be as follows for each model. SM58 / 55 hybrid is around 240.00, The 58 beta / 55 hybrid around 235.00.. The 87beta / 55 hybrid around 425.00. If you want lighted versions there is an added fee of 60.00 to each. Prices can vary do to changes in price for parts for me, and weather you buy from me directly or on Ebay. I can always do it a little cheaper directly and not on Ebay.
Well you can research this online at Shure.com and get the whole in’s and out’s but here is the short. But first, As for the Super 55 scroll down to #19 for the difference in my beta 58’s and the Super Modified 58 Beta. Now on to the difference in the Beta 58 and the SM58. The SM58 cost around 100.00 and for that price you can’t beat the quality of sound. The benefit of the SM58 is that its built like a tank. They can take a serious beating and keep on working. Now the 58 beta, its not as tough but it’s sound quality is much clearer and has more gain. It can pick up about 20db higher range than a SM58. and its about 5% higher in gain, and cost around 170.00. The SM58 and the 58 beta both are dynamic mic’s but one is cardioid and the beta is supercardioid, which basically means the Beta 58 has a stronger magnet. the SM58 is great for Live applications with singers who have plenty of power and want a mic that will last through a tough road. The 58 beta is a better quality mic, and the sound for the money is awesome for live shows. It is tough built also but it wont take the beating and drops a SM58 will but who plans on beating there mic to death. The beta also allows you to be a softer singer and still be heard. It also allows for the High pitched singers to have all there notes heard. I personally use the Beta 58 because I don’t have to push as hard, and it saves my vocals. the good news though is even though there is a 70.00 difference between the SM58 and the beta 58, I give a better deal on the Beta’s.
Yes I do, and at a very fair price. Usually I can get one back to a almost new condition, and working for around 60.00 to 80.00 depending on what all is needed such as screens new switches, new wiring. new connectors, and such.
But the real question is why would you? Even if I rebuilt the mic to sound brand new again, it would still only sound as good as an 80 year old mic. these older mics pick up sound from 360 degrees, and are low on gain. So if you turn it up, it will feedback. Bottom line is they were great back in the day, but with music as loud as it is now, with reverb, and distortion added and everyone crowded on a little stage it will not be perform. They are not bad for, recording, bingo announcing or Ham radio, but that’s about it. So you might as well upgrade it to a modern mic.
Thats easy! Simply check out my pic’s or come up with your own design, then Email me at email@example.com. once we come up with your final choices, Ill send you an invoice via email. My invoices are PayPal, but they take credit, debit or PayPal and you do not need to be a PayPal member. Once it is paid I will put you on the books and then order your parts.. Its that easy. You can also mail and pay with check or Money order, But they have to clear before I will even put you on the books..
see description of each light below. Note the lights even though may not show it in the picture are listed from brightest to dimmest with number 1 being the brightest and #10 being the dimmest. Also the colors may not be exact so read explantion for each.
Next is the Lighted LED mics. This is an option you can get added to your newer elements. it will not work with the vintage elements. But if you are upgrading with me to a new element even the 87 beta, I can add lights to your mic for 50.00. You will need an XLR connector or have me change the mic over to XLR for you, because these lights run off phantom power from the sound board. If your board does not have phantom power you can order a portable plug in or battery operated version for around 25.00 on Ebay. There are Many LED colors to choose from and they are listed below with a explanation of each.
These next three pictures are just a few of the combinations I have for your choice in screen colors. If you don’t see something here you like check my past projects, or just tell me I may have the color or design already, that you will love. But for now, look at the number next to each color and read the write up I have about each one below these pics. It gives you insight and whether or not they can be used with lighted mics also.
Next is one of the biggest and best designs I have. That’s replacement screens for your 55’s. I can do them for Small 55, fatboys 55’s and many other mics from way back! So lets say your old silk or foam in your 55 is rotten, missing, needs replacing or you just want to change the colors. Well I can do them a few options for you. One is you can send me the mic and I can replace it back to original. But if its a silk or cloth screen you are looking at around 30.00 to replace it. If its is foam, I can do it a little cheaper. and even do it free on a refurbish of the entire mic.. But lets say you want a custom color, and you don’t want to mail me the mic being you live on the other side of the planet or you need the mic for gigs. Well then My preformed screens are the answer. I can make you a custom screen in just about any color you like, that already has the shape of the inside of your mic and can change out in about 5 minutes with just a couple of screw drivers. Most are only 20.00 plus shipping. The fat boys are a little more around 30.00.
Next is what I like to call upgrade kits. I have My own design of what I call an upgrade kit for your mics. Over the years I have learned how to make them fit many mics, and have around 5 elements I can do. But not all will fit in every mic, so email me to see what may best suit your needs with the mic you have. The elements I have converted to fit different mics are as follows. the Shure SM58, the Beta 58, the Beta 87, the R115 Modified. (the element in the 55SHII hot rodded to sound much better) and the Super 55 elements (which I have also made sound better). And Last I have recently converted the KSM9 and can get them to fit in a bigger mics like 55 Fatboy, a Turner 101, and EV726 shape mics. When I say converted or “re-designed”, that’s what I mean. All these elements have designs in them that effect sound. Such as the SM58’s and Beta 58’s have a resonance chambers in the handle that make them sound the way they do. Without them, it will not sound the same. So just putting the element in a shell, is not what I’ve done nor will copy catting get the same effect. You will notice I do not show the backs or the insides for this reason. My designs are also made to where if you pull them apart, it will destroy the mic. So I wouldn’t suggest Buying one in hopes of reverse engineering it, unless you have the money to spare. :)
If you don’t have a shell of a mic and you are looking to buy a full finished Hybrid, Mutant Mic, email me I always have some type of shells lying around I can fix up for you.
And last is Chrome Plated. I also have this outsourced. Chrome plated is the real deal. Its where the mic is dipped in acid and all old chrome removed and new chrome is applied by electrolysis. This is a long process and expensive. It is the toughest finish with the least amount of maintenance. This can be done in real copper, nickle, gold and brass and even in brushed nickle like above. Depending on which finish you choose it can be around 200.00 to 300.00 for most mics and gold can be much much higher depending on the mic size and price of gold at the time..
Cosmi Color Chrome This is a process I have a company do for me. Its basically a tough plastic coating of chrome color that you can put on just about anything. you can get this in many colors also. This process is not perfect. The mics look great but they may have small runs or build up in small places and will not be perfect.. But this is the only way to get colored chrome and its not a very expensive process,170.00 per mic with shipping included..
For a look at my powder coating and colors write me at firstname.lastname@example.org This is too new and I dont have many pics to post, so I can send you pics of what I do have.
A new product I’m offering came about do to the high volume of questions for them. and that’s new element Shock mounts for vintage 55s in the small style not the Fatboys. but the 55s 55sw, PE55 or 556s. I finally completed a permanent mold for them and found a product that works very well form Polytek.. It fairly expensive though I have to charge a little more for a set of 3 than I would like. The good news is they will last forever, and not effected by water, hot or cold. and stay spongy. they do come in the original black color and are better fitted than the original ones Shure made out of foam back in the day.